ABSTRACT
OBJECTIVE: The aim of this study was to present the clinical characteristics and dynamic changes in laboratory parameters of the coronavirus disease 2019 (COVID-19) in Guangzhou, and explore the probable early warning indicators of disease progression. METHOD: We enrolled all the patients diagnosed with COVID-19 in the Guangzhou No. 8 People's Hospital. The patients' demographic and epidemiologic data were collected, including chief complaints, lab results, and imaging examination findings. RESULTS: The characteristics of the patients in Guangzhou are different from those in Wuhan. The patients were younger in age, predominately female, and their condition was not commonly combined with other diseases. A total of 75% of patients suffered fever on admission, followed by cough occurring in 62% patients. Comparing the mild/normal and severe/critical patients, being male, of older age, combined with hypertension, abnormal blood routine test results, raised creatine kinase, glutamic oxaloacetic transaminase, lactate dehydrogenase, C-reactive protein, procalcitonin, D-dimer, fibrinogen, activated partial thromboplastin time, and positive proteinuria were early warning indicators of severe disease. CONCLUSION: The patients outside epidemic areas showed different characteristics from those in Wuhan. The abnormal laboratory parameters were markedly changed 4 weeks after admission, and also were different between the mild and severe patients. More evidence is needed to confirm highly specific and sensitive potential early warning indicators of severe disease.
ABSTRACT
Drawing on scholarship on affective-discursive practice and employing a critical multimodal analytic approach, this paper examines how an official vaccination campaign video from Singapore affectively engages with audiences through the construction of various social relationships and identities. Analysis of the multimodal images identifies four salient themes in the video: (1) a harmonious neighborhood comprising inter-ethnic friendships, (2) a paternalistic father-child relationship, (3) a male-dominant family model, and (4) a nostalgic past-present relationship. The analysis shows that affect is discursively mobilized in the orchestration of embodied modes, auditory, and visual modes via strategic filming and editing techniques. Based on the analysis, the authors argue that the video not only functions to subtly persuade the public to get vaccinated but should also be seen as part of a broader move toward an ?affective politics? which aims to mobilize the public, reinforce social cohesion and manage the global pandemic crisis in contemporary Singapore.